Quick Links:
The Covid Years
Solomon and Chet
The Uncles
Mauka Soul
Andy Kimbell - Across 3000 Miles
David Rovics
David Rovics and Chet Gardiner Albums - 2023-2024
Misc Recordings - 1970-2023+
Long Bio
--------------------------------------------------
Chet Gardiner - The Covid Years (2019-2023)
1. Black Magic Woman (3:32)
2. Can't Find My Way Home (3:12)
3. Cortelia Clark (4:22)
4. Little Wing (6:43)
5. Pancho & Lefty w/Electric Tag (7:20)
6. Bird On a Wire (5:34)
7. Fever (4:49)
8. Stand By Me (3:01)
9. Song For The Life (2:50)
10. Wind Cries Mary (3:59)
11. Honky Tonk Women (3:47)
12. Key to the Highway (3:49)
13. Fish and Whistle (2:35)
14. Pride of Man (4:12)
15. Wagon Wheel (3:51)
16. Whiter Shade of Pale (4:11)
17. Holei - O Kalapana (3:02)
18. Across The Borderline (5:38)
19. Ripple (5:18)
20. At The End Of World War Three - Acoustic (4:45)
21. At The End Of World War Three - Full Band (6:03)
End of WW3 written by David Rovics
Chet Gardiner - The Covid Years - Play the first 19 songs in a row. (1:22:30)
Remember Covid? Way back then all of our gigs dried up so I spent countless hours in my recording studio on my coffee farm in South Kona putting together the tracks above. My good friend and partner, Solomon I Choo contributed his inspirational harmonica tracks and a few guitar leads to the project. I nearly emptied out my instrument collection using 4 electric guitars (Gibson SG Standard, Line 6 Variax "Strat", Squire Telecaster, Yamana SBG1200 - Les Paul Style), 4 acoustic guitars (1975 Gallagher 71 Special, Taylor 514CE, Taylor 714CE, Taylor 12-string), 4 basses (John Jordan Custom 6 string fretless and custom 4 string fretless, Fender Jazz 5 string and Kala U-Bass), a Mandola (Eastman MDA315), one banjo (Gold Tone) and one Kala Koa Ukulele for these recordings.
And my voice, of course. Among the vocal microphones used were a Rode K2, Rode NT4 and Townsend Sphere L22
Tracking and mixing was done in Steinberg's Cubase Pro on a Dell Xeon workstation. Mastering was done using Steinberg's Wavelab and Izotope's Ozone Advanced plugins.
-----------------------------------------
Solomon & Chet
Solomon and Chet - Hawai'ian Style Page
I moved back home to Hawai'i from Tucson, AZ in early 2014. One Sunday, I tossed my guitar in the trunk and drove up to the Auntie Leona's Pure Kona Green Market in Captain Cook. I encountered Solomon who was set up on the north side of the market playing his music. I asked if it was OK if I sat in with him and thus made my first appearance here on Hawai'i Island. Solomon turned me on to the Farmers Market Circuit in Kona. As a result, I played dozens of wonderful farmers market gigs in Kailua-Kona and Captain Cook as a single performer and for the last few years we've been playing them as Solomon and Chet. We're currently in "heavy rotations" at the Ho'oulu Community Farmers and Artisans Market at the Outrigger every week and often play with Mauka Soul on Sundays at Pure Kona Market in Captain Cook.
In April of 2018, Solomon and I got together in the studio and recorded the above set of songs live over a couple of afternoons.
The Uncles
In 2022, we hooked up with road warrior Steve Kida on drums which morphed us into The Uncles. Steve toured with We Five back in the day, played tons of club gigs and recordings in L.A. as well as toured some with Canned Heat. He added tremendous, steady tempo to the act.
Solomon, Steve and I have added guitarist Marty Kossoff to build the New Improved (louder?) Uncles.
The four of us opened for former Steve Miller Guitarist Greg Douglas last October at Tiki Mama:
Here's a mostly Hawai'ian Slack Key set from our performance at Ho'oulu Market on Aug 18, 2023
And after David Rovics and Friends recorded his latest album here on the farm in January of 2023,
Solomon, Steve and I played a couple of sets to bookend the David Rovics and Friends Concert
at Earth Matters Farm in South Point in January:
-------------------------------------------------
Mauka Soul
Mauka Soul Album Page
The 2nd group of folks I sat in with at the Pure Kona Market in 2014 were Kalima and his dad Tony with their friend Luis on Congas. I sat in on lead and rhythm guitar or bass. I quickly realized that I needed to learn the Hawai'ian repertoire that they were playing.
So I went on-line and went back to the roots. I studied the slack key masters from Gabby Pahinui through Led Kaapana and glued my car radio on KAPA radio for a couple more years before I felt I "had a clue". Along with HPR, KAPA is still one of my 3 main go to stations.
Over our years of playing together, Kalima and I have developed a special blend between his slack key guitar and my embellishments in standard tuning that served as the soul of Soul. Kalima, Luis and I were eventually joined by Keoki Cortez and morphed into the 2nd Generation of "Mauka Soul". (Kalima and his dad Tony headed up the original Mauka Soul.)
In 2017, I produced our self-titled CD that includes the tunes above (plus Pane Mai, a bonus track not included in the album release). In addition to some major gigs on the island, the original four of us played nearly every other week at Leona's Pure Kona Market until Covid hit. Since its re-opening last year, Kalima, Chet and Luis have been joined by Solomon Choo and drummer John Yoeman and are featured every other week at Pure Kona. Alas, Keoki has moved to the other side of the island!
I was driving to our gig at Pure Kona on the first Sunday morning that KAPA's "Hawai'i Home Grown" program was on the air and was extremely pleased to hear our version of Ku'u Home O Kahalu'u as the 2nd song ever played on the show!
I'm mixing and editing a live concert with Mauka Soul (including Solomon, excellent drummer John Yoeman and Bass Player Mo.
Andy Kimbel
I attended the NAMM Show at Anaheim Convention Center in 2019. I traversed the massive halls and finally ended up at the Taylor Guitar booth at the other end. There was a fellow playing some marvelous fingerpicked blues next to a wall of guitars, so I took down one of the Taylors and joined him. We got friendly and the short version is that over the rest of 2019, Andy Kimbel sent me two track recordings of guitar and voice and I "sweetened" them with bass, guitar(s) and some additional vocals. This effort became an album release in late 2019 called "Across 3000 Miles". the 3000 miles being Andy in L.A. and me in Hawai'i.
I recently remixed the album and one of the songs came out so well, I've created a video for it:
And the Album can be obtained here among other places on-line.
Andy Kimbel - Across 3000 Miles
-------------------------------------------------
David Rovics And Friends
David Rovics from Portlandia, Lorna McKinnon from Scotland and Kamala Emanuel from Australia got together with yours truly during the last two weeks of January 2023 and recorded the "Killing The Messenger" album here on the farm in Honomalino. We also performed a couple of impromptu concerts with Steve Kida on drums in both and Solomon on harmonica on the other.
The Album can be heard and purchased at David's website here:
Killing The Messenger
Clicking on image or the link below opens a YouTube playlist for the video(s) of our final concert at Earth Matters Farm
David Rovics and Friends
-------------------------------------------------
David Rovics/Chet Gardiner Albums - 2023-2024
In December of 2023, David contacted me about "sweetening" a huge trove of songs he had written about the slaughter in Gaza. We began a collaberation that will have resulted in 3 full albums of songs by early July 2024.
You can experince the completed albums at the following pages. The liner notes are David's.
Notes From A Holocaust
All the songs on this album were written between October 13th and December 31st, 2023. I wrote them to bear witness to the genocide of the Palestinian people that continues by the hour as I publish this album. There are various videos, many more songs, essays, as well as an album songbook that can be found at davidrovics.com/palestine".
released January 11, 2024
Notes From A Holocaust
-------------------------------------------------
Bearing Witness
When the genocide of the people of Gaza began in October, 2023, and I began to write a series of urgent songs on the subject, Chet Gardiner shared that sense of urgency, and started taking the songs I was putting out there and making great improvements upon them from his home studio in Hawai'i. In January we put out a 20-song album together called Notes From A Holocaust.
This album is a continuation of those efforts, but with a somewhat expanded scope. Roughly half the album consists of songs about the Gaza genocide that I've written since we put out Notes From A Holocaust. The other half of the album are songs I've written and recorded in the past few years, that either Chet or I thought would be good candidates for enhancement -- plus the much older songs, "St Patrick Battalion" and "In One World" for good measure.
For my part, I'm either playing a guitar, an Irish bouzouki, or a mandola. Everything else you hear is Chet, which includes electric and acoustic instruments of all descriptions, including guitars, basses, banjos, synth, percussion, vocal harmonies, and more.
The cover photo was taken at a gig in France by Isabelle Souriment, who also designed the album cover.
credits
released April 19, 2024"
Bearing Witness
-------------------------------------------------
I Heard A Rumor
This is an album in three parts.
First, the ongoing genocide in Palestine, songs that were written in the past few months.
Second, mostly songs related to the class struggle, some very recent and some slightly less so.
The third part relates to the album title.
To paraphrase Renée DiResta, we live in an era especially characterized by the collision of the rumor mill and the propaganda machine. A collection of the songs I've written over recent years on that subject, such as the album's title track, make up the third part.
The songs were all written by David Rovics. Depending on the song, you'll also hear David's guitar, bouzouki, or mandola. If you hear female vocals, that's Kamala Emanuel. Anything else you're hearing -- bass, drums, synth, banjo, electric guitar, and various other odds and ends -- is Chet Gardiner.
Cover graphics by the brilliant Kalindi Jackson.
released July 16, 2024
I Heard A Rumor
-------------------------------------------------
Jabaliya
As the genocide of the Palestinian people carried out by the Israeli military accelerates, I haven't written as much as I did during the first several months of the Israeli horrors. Every murdered child deserves many songs, but at the same time, what more is there to say? How many different ways are there to rephrase "stop killing the children"?
But I did write nine songs, and one poem, between August and October, 2024, and they're all on this album, along with a new recording of a song I wrote in 2016 (guess which one).
If you hear vocal harmonies, that's my singing and touring partner, Kamala Emanuel, from Brisbane, Australia -- the other half of the Ministry of Culture.
Otherwise everything other than the voices and whichever instrument I'm playing (usually guitar, sometimes mandola) is Chet Gardiner, who improved the tone and added instrumentation to everything from his home studio in Hawai'i.
"released July 16, 2024
Jabaliya
-------------------------------------------------
Misc. Audio and Video
Song for the Life and Isolation Row videos - 2018 and 2020
Song For The Life Video
Isolation Row Video
Some Christmas Music to brighten up the season (web page).
Chet's X'mas Tunes Page
Ramesh and Chet - Studio recordings from 1973 in Bob Orban's Recording Studio
Ramesh and Chet - 5 song Studio Demo (1972) (Plays Immediately)
From the Way-Back Machine, a full set from of Steffie (Fuller) & Chet live at Mooney's Irish Pub in North Beach, San Francisco in 1973 And recordings of Chet's Oregon Sunshine Band from Eugene, OR 1975. (Web Page)
Steffie and Chet (1973) - Oregon Sunshine (1975)
And Steffie, Chet & Kieth (Crossan) - recorded in 1974 at Orban's (Web Page)
Steffie, Chet and Kieth - 5 song studio demo (1973)
-------------------------------------------------
Long Bio - Chronology
1953-1956: Taught myself Arthur Godfrey style Ukulele from chord charts.
1955: Got a guitar for X'mas. I don't think my mother ever really forgave my grandmother for that.
1958-9: Got out of PE with scary PE teacher by playing in Concert and Marching Band (poorly on Percussion) and Dance Band (poorly on guitar) at Radford High School on Oahu Island.
1960: Began playing in a "REAL" band. My dad bought me my first really GOOD Playable guitar and amp. A '61 Gibson SG Special and a Dicoverer Tube Amp. (I recent bought a 2019 Gibson '61 SG Standard that was like going back home).
1960-2: Played in a 50s Rock and Roll Band - Our first REAL gig was at the Shamrock Bar & Grill in Georgetown, DC. My first bar gig - too young to buy a drink - age was 18. We auditioned for Ted Mack's Amateur Hour. Didn't get picked.
1962-3: At the University of Georgia, played in a band with a couple fraternity brothers called the Vigilantes (named after airplane, not the evil bad folk) - played numerous fraternity gigs. Sat in one time on guitar with Gary U.S. Bonds for a couple tunes.
1963-1966: Dead time in College, dropped out, dead time in Gainesville, FL. No music there.
1966-8: Arrived in San Francisco in '66. Where to Begin. Learned folk music from the bottom up - 3am breakfast shows at the Lion's Share in Sausalito fingerpicking Dylan on a Gibson SG through a Super Reverb Amp. Got convinced to buy an acoustic then played at open mics. Finally playing lead and singing in a PP&M clone band that played the No Name Bar the night before I got fired from Crocker Bank, Jan 31, 1968.
1968: Half the year playing solo folk gigs, then 4 months in an acid rock band called Stonehenge. Band broke up while on a tour to prepare for an appearance at the Fillmore and as opening act for Grateful Dead and Canned Heat at the Greek Theater at UC Bekeley. "Ringers" played the gig.
1969-'72: Met and jammed with Robert Orban at a party in the Redwood City hills. Began recording using Bob's studio level equpment set up in my basement. We later moved into Bob's living room in Menlo Park and upgraded the studio from 4 tracks to 8. We finally saw the release THIS YEAR (2022) of one of the tunes from that period (1969-1972) that we recorded in 1970. My brother Steve, Bob and I recorded "Leaving on a Jet Plane" and Chicken Hirsch added drums and that recording opens side 2 on a compilation vinyl LP called "Hits of the 70s" from Numero Group Records. Only 52 years from recording to release.
1970-1972: Played Bass and toured with the Voices of Joy gospel choir.
1970-1974: Played with a country/folk group called the Hand Band. Then with a partner Ramesh Markam. Then with a new partner Steffie Fuller - soon we added Kieth Crossan - Steffie, Chet and Kieth. I also played occasional gigs with Stephen Longfellow Fiske. Steffie, Chet and Kieth just missed playing the Newport Jazz Festival in '74. Then Steffie "changed the lineup" and I wasn't in it any more but Ramesh was. :-(
1974-75: Oregon Sunshine Band in Eugene Oregon. Spent what felt like 10 long years one winter in Eugene. Fled back to a blue sky as the first drops of rain fell in Sept '75.
1975-77: Burned out as a single in '77 - took 7 years off to try being a stay-at-home depressed drunk and part-time cocaine user. Didn't work out that great.
1984-2004: Cleaned up and took lessons from Marc Bonilla beginning in '84. WOW! Began playing again with different folks. Off and on for 14 years with Jim Passard - '88 to '02 or so. Hooked up with the Berkeley/S.F. folk scene and played with numerous others - notably bass with Freedom Song Network led by Jon Fromer, Faith Petric and Jimmy Collier, gigging for a while with David Maloney including at Kerrville Folk Festival and Napa Music Festival, Played Napa with Tom Dundee and one headline set with Sukay - pan pipe band, played some gigs with Dave Lippman and some great gigs as sideman with a fine performer from Texas named John Carrick that included Esalon Institute and opening for Jerry Reid in Dixon, CA.
2004-6: Began jamming on bass with local blues legands. Backed up the Temptations Motown Review playing bass with the Bay Area Blues Society Caravan of All-Stars. I was Joe Louis Walker's bass player for a bit during his early come-back period.
2007: Move to Tucson - co-founded a blues band, The Earthlingz and played folk around town as well as at the Tucson Folk Festival as the Chet Gardiner Band with the great Phil Anderson on bass and Randy Omdal on percussion.
2014: Moved back "Home" to Hawai'i see above.
And my voice, of course. Among the vocal microphones used were a Rode K2, Rode NT4 and Townsend Sphere L22
Tracking and mixing was done in Steinberg's Cubase Pro on a Dell Xeon workstation. Mastering was done using Steinberg's Wavelab and Izotope's Ozone Advanced plugins.
-----------------------------------------
In April of 2018, Solomon and I got together in the studio and recorded the above set of songs live over a couple of afternoons.
The Uncles
In 2022, we hooked up with road warrior Steve Kida on drums which morphed us into The Uncles. Steve toured with We Five back in the day, played tons of club gigs and recordings in L.A. as well as toured some with Canned Heat. He added tremendous, steady tempo to the act.
Solomon, Steve and I have added guitarist Marty Kossoff to build the New Improved (louder?) Uncles.
The four of us opened for former Steve Miller Guitarist Greg Douglas last October at Tiki Mama:
Here's a mostly Hawai'ian Slack Key set from our performance at Ho'oulu Market on Aug 18, 2023
And after David Rovics and Friends recorded his latest album here on the farm in January of 2023,
Solomon, Steve and I played a couple of sets to bookend the David Rovics and Friends Concert
at Earth Matters Farm in South Point in January:
-------------------------------------------------
Mauka Soul
Mauka Soul Album Page
The 2nd group of folks I sat in with at the Pure Kona Market in 2014 were Kalima and his dad Tony with their friend Luis on Congas. I sat in on lead and rhythm guitar or bass. I quickly realized that I needed to learn the Hawai'ian repertoire that they were playing.
So I went on-line and went back to the roots. I studied the slack key masters from Gabby Pahinui through Led Kaapana and glued my car radio on KAPA radio for a couple more years before I felt I "had a clue". Along with HPR, KAPA is still one of my 3 main go to stations.
Over our years of playing together, Kalima and I have developed a special blend between his slack key guitar and my embellishments in standard tuning that served as the soul of Soul. Kalima, Luis and I were eventually joined by Keoki Cortez and morphed into the 2nd Generation of "Mauka Soul". (Kalima and his dad Tony headed up the original Mauka Soul.)
In 2017, I produced our self-titled CD that includes the tunes above (plus Pane Mai, a bonus track not included in the album release). In addition to some major gigs on the island, the original four of us played nearly every other week at Leona's Pure Kona Market until Covid hit. Since its re-opening last year, Kalima, Chet and Luis have been joined by Solomon Choo and drummer John Yoeman and are featured every other week at Pure Kona. Alas, Keoki has moved to the other side of the island!
I was driving to our gig at Pure Kona on the first Sunday morning that KAPA's "Hawai'i Home Grown" program was on the air and was extremely pleased to hear our version of Ku'u Home O Kahalu'u as the 2nd song ever played on the show!
I'm mixing and editing a live concert with Mauka Soul (including Solomon, excellent drummer John Yoeman and Bass Player Mo.
Andy Kimbel
I attended the NAMM Show at Anaheim Convention Center in 2019. I traversed the massive halls and finally ended up at the Taylor Guitar booth at the other end. There was a fellow playing some marvelous fingerpicked blues next to a wall of guitars, so I took down one of the Taylors and joined him. We got friendly and the short version is that over the rest of 2019, Andy Kimbel sent me two track recordings of guitar and voice and I "sweetened" them with bass, guitar(s) and some additional vocals. This effort became an album release in late 2019 called "Across 3000 Miles". the 3000 miles being Andy in L.A. and me in Hawai'i.
I recently remixed the album and one of the songs came out so well, I've created a video for it:
And the Album can be obtained here among other places on-line.
Andy Kimbel - Across 3000 Miles
-------------------------------------------------
David Rovics And Friends
David Rovics from Portlandia, Lorna McKinnon from Scotland and Kamala Emanuel from Australia got together with yours truly during the last two weeks of January 2023 and recorded the "Killing The Messenger" album here on the farm in Honomalino. We also performed a couple of impromptu concerts with Steve Kida on drums in both and Solomon on harmonica on the other.
The Album can be heard and purchased at David's website here:
Killing The Messenger
Clicking on image or the link below opens a YouTube playlist for the video(s) of our final concert at Earth Matters Farm
David Rovics and Friends
-------------------------------------------------
David Rovics/Chet Gardiner Albums - 2023-2024
In December of 2023, David contacted me about "sweetening" a huge trove of songs he had written about the slaughter in Gaza. We began a collaberation that will have resulted in 3 full albums of songs by early July 2024.
You can experince the completed albums at the following pages. The liner notes are David's.
Notes From A Holocaust
All the songs on this album were written between October 13th and December 31st, 2023. I wrote them to bear witness to the genocide of the Palestinian people that continues by the hour as I publish this album. There are various videos, many more songs, essays, as well as an album songbook that can be found at davidrovics.com/palestine".
released January 11, 2024
Notes From A Holocaust
-------------------------------------------------
Bearing Witness
When the genocide of the people of Gaza began in October, 2023, and I began to write a series of urgent songs on the subject, Chet Gardiner shared that sense of urgency, and started taking the songs I was putting out there and making great improvements upon them from his home studio in Hawai'i. In January we put out a 20-song album together called Notes From A Holocaust.
This album is a continuation of those efforts, but with a somewhat expanded scope. Roughly half the album consists of songs about the Gaza genocide that I've written since we put out Notes From A Holocaust. The other half of the album are songs I've written and recorded in the past few years, that either Chet or I thought would be good candidates for enhancement -- plus the much older songs, "St Patrick Battalion" and "In One World" for good measure.
For my part, I'm either playing a guitar, an Irish bouzouki, or a mandola. Everything else you hear is Chet, which includes electric and acoustic instruments of all descriptions, including guitars, basses, banjos, synth, percussion, vocal harmonies, and more.
The cover photo was taken at a gig in France by Isabelle Souriment, who also designed the album cover.
credits
released April 19, 2024"
Bearing Witness
-------------------------------------------------
I Heard A Rumor
This is an album in three parts.
First, the ongoing genocide in Palestine, songs that were written in the past few months.
Second, mostly songs related to the class struggle, some very recent and some slightly less so.
The third part relates to the album title.
To paraphrase Renée DiResta, we live in an era especially characterized by the collision of the rumor mill and the propaganda machine. A collection of the songs I've written over recent years on that subject, such as the album's title track, make up the third part.
The songs were all written by David Rovics. Depending on the song, you'll also hear David's guitar, bouzouki, or mandola. If you hear female vocals, that's Kamala Emanuel. Anything else you're hearing -- bass, drums, synth, banjo, electric guitar, and various other odds and ends -- is Chet Gardiner.
Cover graphics by the brilliant Kalindi Jackson.
released July 16, 2024
I Heard A Rumor
-------------------------------------------------
Jabaliya
As the genocide of the Palestinian people carried out by the Israeli military accelerates, I haven't written as much as I did during the first several months of the Israeli horrors. Every murdered child deserves many songs, but at the same time, what more is there to say? How many different ways are there to rephrase "stop killing the children"?
But I did write nine songs, and one poem, between August and October, 2024, and they're all on this album, along with a new recording of a song I wrote in 2016 (guess which one).
If you hear vocal harmonies, that's my singing and touring partner, Kamala Emanuel, from Brisbane, Australia -- the other half of the Ministry of Culture.
Otherwise everything other than the voices and whichever instrument I'm playing (usually guitar, sometimes mandola) is Chet Gardiner, who improved the tone and added instrumentation to everything from his home studio in Hawai'i.
"released July 16, 2024
Jabaliya
-------------------------------------------------
Misc. Audio and Video
Song for the Life and Isolation Row videos - 2018 and 2020
Song For The Life Video
Isolation Row Video
Some Christmas Music to brighten up the season (web page).
Chet's X'mas Tunes Page
Ramesh and Chet - Studio recordings from 1973 in Bob Orban's Recording Studio
Ramesh and Chet - 5 song Studio Demo (1972) (Plays Immediately)
From the Way-Back Machine, a full set from of Steffie (Fuller) & Chet live at Mooney's Irish Pub in North Beach, San Francisco in 1973 And recordings of Chet's Oregon Sunshine Band from Eugene, OR 1975. (Web Page)
Steffie and Chet (1973) - Oregon Sunshine (1975)
And Steffie, Chet & Kieth (Crossan) - recorded in 1974 at Orban's (Web Page)
Steffie, Chet and Kieth - 5 song studio demo (1973)
-------------------------------------------------
Long Bio - Chronology
1953-1956: Taught myself Arthur Godfrey style Ukulele from chord charts.
1955: Got a guitar for X'mas. I don't think my mother ever really forgave my grandmother for that.
1958-9: Got out of PE with scary PE teacher by playing in Concert and Marching Band (poorly on Percussion) and Dance Band (poorly on guitar) at Radford High School on Oahu Island.
1960: Began playing in a "REAL" band. My dad bought me my first really GOOD Playable guitar and amp. A '61 Gibson SG Special and a Dicoverer Tube Amp. (I recent bought a 2019 Gibson '61 SG Standard that was like going back home).
1960-2: Played in a 50s Rock and Roll Band - Our first REAL gig was at the Shamrock Bar & Grill in Georgetown, DC. My first bar gig - too young to buy a drink - age was 18. We auditioned for Ted Mack's Amateur Hour. Didn't get picked.
1962-3: At the University of Georgia, played in a band with a couple fraternity brothers called the Vigilantes (named after airplane, not the evil bad folk) - played numerous fraternity gigs. Sat in one time on guitar with Gary U.S. Bonds for a couple tunes.
1963-1966: Dead time in College, dropped out, dead time in Gainesville, FL. No music there.
1966-8: Arrived in San Francisco in '66. Where to Begin. Learned folk music from the bottom up - 3am breakfast shows at the Lion's Share in Sausalito fingerpicking Dylan on a Gibson SG through a Super Reverb Amp. Got convinced to buy an acoustic then played at open mics. Finally playing lead and singing in a PP&M clone band that played the No Name Bar the night before I got fired from Crocker Bank, Jan 31, 1968.
1968: Half the year playing solo folk gigs, then 4 months in an acid rock band called Stonehenge. Band broke up while on a tour to prepare for an appearance at the Fillmore and as opening act for Grateful Dead and Canned Heat at the Greek Theater at UC Bekeley. "Ringers" played the gig.
1969-'72: Met and jammed with Robert Orban at a party in the Redwood City hills. Began recording using Bob's studio level equpment set up in my basement. We later moved into Bob's living room in Menlo Park and upgraded the studio from 4 tracks to 8. We finally saw the release THIS YEAR (2022) of one of the tunes from that period (1969-1972) that we recorded in 1970. My brother Steve, Bob and I recorded "Leaving on a Jet Plane" and Chicken Hirsch added drums and that recording opens side 2 on a compilation vinyl LP called "Hits of the 70s" from Numero Group Records. Only 52 years from recording to release.
1970-1972: Played Bass and toured with the Voices of Joy gospel choir.
1970-1974: Played with a country/folk group called the Hand Band. Then with a partner Ramesh Markam. Then with a new partner Steffie Fuller - soon we added Kieth Crossan - Steffie, Chet and Kieth. I also played occasional gigs with Stephen Longfellow Fiske. Steffie, Chet and Kieth just missed playing the Newport Jazz Festival in '74. Then Steffie "changed the lineup" and I wasn't in it any more but Ramesh was. :-(
1974-75: Oregon Sunshine Band in Eugene Oregon. Spent what felt like 10 long years one winter in Eugene. Fled back to a blue sky as the first drops of rain fell in Sept '75.
1975-77: Burned out as a single in '77 - took 7 years off to try being a stay-at-home depressed drunk and part-time cocaine user. Didn't work out that great.
1984-2004: Cleaned up and took lessons from Marc Bonilla beginning in '84. WOW! Began playing again with different folks. Off and on for 14 years with Jim Passard - '88 to '02 or so. Hooked up with the Berkeley/S.F. folk scene and played with numerous others - notably bass with Freedom Song Network led by Jon Fromer, Faith Petric and Jimmy Collier, gigging for a while with David Maloney including at Kerrville Folk Festival and Napa Music Festival, Played Napa with Tom Dundee and one headline set with Sukay - pan pipe band, played some gigs with Dave Lippman and some great gigs as sideman with a fine performer from Texas named John Carrick that included Esalon Institute and opening for Jerry Reid in Dixon, CA.
2004-6: Began jamming on bass with local blues legands. Backed up the Temptations Motown Review playing bass with the Bay Area Blues Society Caravan of All-Stars. I was Joe Louis Walker's bass player for a bit during his early come-back period.
2007: Move to Tucson - co-founded a blues band, The Earthlingz and played folk around town as well as at the Tucson Folk Festival as the Chet Gardiner Band with the great Phil Anderson on bass and Randy Omdal on percussion.
2014: Moved back "Home" to Hawai'i see above.
The Album can be heard and purchased at David's website here:
Killing The Messenger
Clicking on image or the link below opens a YouTube playlist for the video(s) of our final concert at Earth Matters Farm
David Rovics and Friends
-------------------------------------------------
David Rovics/Chet Gardiner Albums - 2023-2024
In December of 2023, David contacted me about "sweetening" a huge trove of songs he had written about the slaughter in Gaza. We began a collaberation that will have resulted in 3 full albums of songs by early July 2024.
You can experince the completed albums at the following pages. The liner notes are David's.
Notes From A Holocaust
All the songs on this album were written between October 13th and December 31st, 2023. I wrote them to bear witness to the genocide of the Palestinian people that continues by the hour as I publish this album. There are various videos, many more songs, essays, as well as an album songbook that can be found at davidrovics.com/palestine".
released January 11, 2024
Notes From A Holocaust
-------------------------------------------------
Bearing Witness
When the genocide of the people of Gaza began in October, 2023, and I began to write a series of urgent songs on the subject, Chet Gardiner shared that sense of urgency, and started taking the songs I was putting out there and making great improvements upon them from his home studio in Hawai'i. In January we put out a 20-song album together called Notes From A Holocaust.
This album is a continuation of those efforts, but with a somewhat expanded scope. Roughly half the album consists of songs about the Gaza genocide that I've written since we put out Notes From A Holocaust. The other half of the album are songs I've written and recorded in the past few years, that either Chet or I thought would be good candidates for enhancement -- plus the much older songs, "St Patrick Battalion" and "In One World" for good measure.
For my part, I'm either playing a guitar, an Irish bouzouki, or a mandola. Everything else you hear is Chet, which includes electric and acoustic instruments of all descriptions, including guitars, basses, banjos, synth, percussion, vocal harmonies, and more.
The cover photo was taken at a gig in France by Isabelle Souriment, who also designed the album cover.
credits
released April 19, 2024"
Bearing Witness
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I Heard A Rumor
This is an album in three parts.
First, the ongoing genocide in Palestine, songs that were written in the past few months.
Second, mostly songs related to the class struggle, some very recent and some slightly less so.
The third part relates to the album title.
To paraphrase Renée DiResta, we live in an era especially characterized by the collision of the rumor mill and the propaganda machine. A collection of the songs I've written over recent years on that subject, such as the album's title track, make up the third part.
The songs were all written by David Rovics. Depending on the song, you'll also hear David's guitar, bouzouki, or mandola. If you hear female vocals, that's Kamala Emanuel. Anything else you're hearing -- bass, drums, synth, banjo, electric guitar, and various other odds and ends -- is Chet Gardiner.
Cover graphics by the brilliant Kalindi Jackson.
released July 16, 2024
I Heard A Rumor
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Jabaliya
As the genocide of the Palestinian people carried out by the Israeli military accelerates, I haven't written as much as I did during the first several months of the Israeli horrors. Every murdered child deserves many songs, but at the same time, what more is there to say? How many different ways are there to rephrase "stop killing the children"?
But I did write nine songs, and one poem, between August and October, 2024, and they're all on this album, along with a new recording of a song I wrote in 2016 (guess which one).
If you hear vocal harmonies, that's my singing and touring partner, Kamala Emanuel, from Brisbane, Australia -- the other half of the Ministry of Culture.
Otherwise everything other than the voices and whichever instrument I'm playing (usually guitar, sometimes mandola) is Chet Gardiner, who improved the tone and added instrumentation to everything from his home studio in Hawai'i.
"released July 16, 2024
Jabaliya
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Misc. Audio and Video
Song for the Life and Isolation Row videos - 2018 and 2020
Song For The Life Video
Isolation Row Video
Some Christmas Music to brighten up the season (web page).
Chet's X'mas Tunes Page
Ramesh and Chet - Studio recordings from 1973 in Bob Orban's Recording Studio
Ramesh and Chet - 5 song Studio Demo (1972) (Plays Immediately)
From the Way-Back Machine, a full set from of Steffie (Fuller) & Chet live at Mooney's Irish Pub in North Beach, San Francisco in 1973 And recordings of Chet's Oregon Sunshine Band from Eugene, OR 1975. (Web Page)
Steffie and Chet (1973) - Oregon Sunshine (1975)
And Steffie, Chet & Kieth (Crossan) - recorded in 1974 at Orban's (Web Page)
Steffie, Chet and Kieth - 5 song studio demo (1973)
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Long Bio - Chronology
1953-1956: Taught myself Arthur Godfrey style Ukulele from chord charts.
1955: Got a guitar for X'mas. I don't think my mother ever really forgave my grandmother for that.
1958-9: Got out of PE with scary PE teacher by playing in Concert and Marching Band (poorly on Percussion) and Dance Band (poorly on guitar) at Radford High School on Oahu Island.
1960: Began playing in a "REAL" band. My dad bought me my first really GOOD Playable guitar and amp. A '61 Gibson SG Special and a Dicoverer Tube Amp. (I recent bought a 2019 Gibson '61 SG Standard that was like going back home).
1960-2: Played in a 50s Rock and Roll Band - Our first REAL gig was at the Shamrock Bar & Grill in Georgetown, DC. My first bar gig - too young to buy a drink - age was 18. We auditioned for Ted Mack's Amateur Hour. Didn't get picked.
1962-3: At the University of Georgia, played in a band with a couple fraternity brothers called the Vigilantes (named after airplane, not the evil bad folk) - played numerous fraternity gigs. Sat in one time on guitar with Gary U.S. Bonds for a couple tunes.
1963-1966: Dead time in College, dropped out, dead time in Gainesville, FL. No music there.
1966-8: Arrived in San Francisco in '66. Where to Begin. Learned folk music from the bottom up - 3am breakfast shows at the Lion's Share in Sausalito fingerpicking Dylan on a Gibson SG through a Super Reverb Amp. Got convinced to buy an acoustic then played at open mics. Finally playing lead and singing in a PP&M clone band that played the No Name Bar the night before I got fired from Crocker Bank, Jan 31, 1968.
1968: Half the year playing solo folk gigs, then 4 months in an acid rock band called Stonehenge. Band broke up while on a tour to prepare for an appearance at the Fillmore and as opening act for Grateful Dead and Canned Heat at the Greek Theater at UC Bekeley. "Ringers" played the gig.
1969-'72: Met and jammed with Robert Orban at a party in the Redwood City hills. Began recording using Bob's studio level equpment set up in my basement. We later moved into Bob's living room in Menlo Park and upgraded the studio from 4 tracks to 8. We finally saw the release THIS YEAR (2022) of one of the tunes from that period (1969-1972) that we recorded in 1970. My brother Steve, Bob and I recorded "Leaving on a Jet Plane" and Chicken Hirsch added drums and that recording opens side 2 on a compilation vinyl LP called "Hits of the 70s" from Numero Group Records. Only 52 years from recording to release.
1970-1972: Played Bass and toured with the Voices of Joy gospel choir.
1970-1974: Played with a country/folk group called the Hand Band. Then with a partner Ramesh Markam. Then with a new partner Steffie Fuller - soon we added Kieth Crossan - Steffie, Chet and Kieth. I also played occasional gigs with Stephen Longfellow Fiske. Steffie, Chet and Kieth just missed playing the Newport Jazz Festival in '74. Then Steffie "changed the lineup" and I wasn't in it any more but Ramesh was. :-(
1974-75: Oregon Sunshine Band in Eugene Oregon. Spent what felt like 10 long years one winter in Eugene. Fled back to a blue sky as the first drops of rain fell in Sept '75.
1975-77: Burned out as a single in '77 - took 7 years off to try being a stay-at-home depressed drunk and part-time cocaine user. Didn't work out that great.
1984-2004: Cleaned up and took lessons from Marc Bonilla beginning in '84. WOW! Began playing again with different folks. Off and on for 14 years with Jim Passard - '88 to '02 or so. Hooked up with the Berkeley/S.F. folk scene and played with numerous others - notably bass with Freedom Song Network led by Jon Fromer, Faith Petric and Jimmy Collier, gigging for a while with David Maloney including at Kerrville Folk Festival and Napa Music Festival, Played Napa with Tom Dundee and one headline set with Sukay - pan pipe band, played some gigs with Dave Lippman and some great gigs as sideman with a fine performer from Texas named John Carrick that included Esalon Institute and opening for Jerry Reid in Dixon, CA.
2004-6: Began jamming on bass with local blues legands. Backed up the Temptations Motown Review playing bass with the Bay Area Blues Society Caravan of All-Stars. I was Joe Louis Walker's bass player for a bit during his early come-back period.
2007: Move to Tucson - co-founded a blues band, The Earthlingz and played folk around town as well as at the Tucson Folk Festival as the Chet Gardiner Band with the great Phil Anderson on bass and Randy Omdal on percussion.
2014: Moved back "Home" to Hawai'i see above.
Song For The Life Video
Isolation Row Video
Some Christmas Music to brighten up the season (web page).
Chet's X'mas Tunes Page
Ramesh and Chet - Studio recordings from 1973 in Bob Orban's Recording Studio
Ramesh and Chet - 5 song Studio Demo (1972) (Plays Immediately)
From the Way-Back Machine, a full set from of Steffie (Fuller) & Chet live at Mooney's Irish Pub in North Beach, San Francisco in 1973 And recordings of Chet's Oregon Sunshine Band from Eugene, OR 1975. (Web Page)
Steffie and Chet (1973) - Oregon Sunshine (1975)
And Steffie, Chet & Kieth (Crossan) - recorded in 1974 at Orban's (Web Page)
Steffie, Chet and Kieth - 5 song studio demo (1973)
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1953-1956: Taught myself Arthur Godfrey style Ukulele from chord charts.
1955: Got a guitar for X'mas. I don't think my mother ever really forgave my grandmother for that.
1958-9: Got out of PE with scary PE teacher by playing in Concert and Marching Band (poorly on Percussion) and Dance Band (poorly on guitar) at Radford High School on Oahu Island.
1960: Began playing in a "REAL" band. My dad bought me my first really GOOD Playable guitar and amp. A '61 Gibson SG Special and a Dicoverer Tube Amp. (I recent bought a 2019 Gibson '61 SG Standard that was like going back home).
1960-2: Played in a 50s Rock and Roll Band - Our first REAL gig was at the Shamrock Bar & Grill in Georgetown, DC. My first bar gig - too young to buy a drink - age was 18. We auditioned for Ted Mack's Amateur Hour. Didn't get picked.
1962-3: At the University of Georgia, played in a band with a couple fraternity brothers called the Vigilantes (named after airplane, not the evil bad folk) - played numerous fraternity gigs. Sat in one time on guitar with Gary U.S. Bonds for a couple tunes.
1963-1966: Dead time in College, dropped out, dead time in Gainesville, FL. No music there.
1966-8: Arrived in San Francisco in '66. Where to Begin. Learned folk music from the bottom up - 3am breakfast shows at the Lion's Share in Sausalito fingerpicking Dylan on a Gibson SG through a Super Reverb Amp. Got convinced to buy an acoustic then played at open mics. Finally playing lead and singing in a PP&M clone band that played the No Name Bar the night before I got fired from Crocker Bank, Jan 31, 1968.
1968: Half the year playing solo folk gigs, then 4 months in an acid rock band called Stonehenge. Band broke up while on a tour to prepare for an appearance at the Fillmore and as opening act for Grateful Dead and Canned Heat at the Greek Theater at UC Bekeley. "Ringers" played the gig.
1969-'72: Met and jammed with Robert Orban at a party in the Redwood City hills. Began recording using Bob's studio level equpment set up in my basement. We later moved into Bob's living room in Menlo Park and upgraded the studio from 4 tracks to 8. We finally saw the release THIS YEAR (2022) of one of the tunes from that period (1969-1972) that we recorded in 1970. My brother Steve, Bob and I recorded "Leaving on a Jet Plane" and Chicken Hirsch added drums and that recording opens side 2 on a compilation vinyl LP called "Hits of the 70s" from Numero Group Records. Only 52 years from recording to release.
1970-1972: Played Bass and toured with the Voices of Joy gospel choir.
1970-1974: Played with a country/folk group called the Hand Band. Then with a partner Ramesh Markam. Then with a new partner Steffie Fuller - soon we added Kieth Crossan - Steffie, Chet and Kieth. I also played occasional gigs with Stephen Longfellow Fiske. Steffie, Chet and Kieth just missed playing the Newport Jazz Festival in '74. Then Steffie "changed the lineup" and I wasn't in it any more but Ramesh was. :-(
1974-75: Oregon Sunshine Band in Eugene Oregon. Spent what felt like 10 long years one winter in Eugene. Fled back to a blue sky as the first drops of rain fell in Sept '75.
1975-77: Burned out as a single in '77 - took 7 years off to try being a stay-at-home depressed drunk and part-time cocaine user. Didn't work out that great.
1984-2004: Cleaned up and took lessons from Marc Bonilla beginning in '84. WOW! Began playing again with different folks. Off and on for 14 years with Jim Passard - '88 to '02 or so. Hooked up with the Berkeley/S.F. folk scene and played with numerous others - notably bass with Freedom Song Network led by Jon Fromer, Faith Petric and Jimmy Collier, gigging for a while with David Maloney including at Kerrville Folk Festival and Napa Music Festival, Played Napa with Tom Dundee and one headline set with Sukay - pan pipe band, played some gigs with Dave Lippman and some great gigs as sideman with a fine performer from Texas named John Carrick that included Esalon Institute and opening for Jerry Reid in Dixon, CA.
2004-6: Began jamming on bass with local blues legands. Backed up the Temptations Motown Review playing bass with the Bay Area Blues Society Caravan of All-Stars. I was Joe Louis Walker's bass player for a bit during his early come-back period.
2007: Move to Tucson - co-founded a blues band, The Earthlingz and played folk around town as well as at the Tucson Folk Festival as the Chet Gardiner Band with the great Phil Anderson on bass and Randy Omdal on percussion.
2014: Moved back "Home" to Hawai'i see above.